Wednesday, August 6, 2014

The Marc Tourneuil (Gad Elmaleh), after a series of coincidences, is director of the French bank Ph


Banks are the devil. pods And the people who manage them are obnoxious, ambitious Amoral who only want to enrich themselves increasingly pods removing capital from the rest Kosmaki fighting for crumbs. Oh, and if you were not already clear enough, everything is the power of money. The whole philosophy of the new film by Costas Gavras summed up in these few lines and nothing gets more gray complexion, or even a second, less obvious reading.
The Marc Tourneuil (Gad Elmaleh), after a series of coincidences, is director of the French bank Phenix, and it seems that the dream of a life fulfilled. Wrong, because pods Marc senses that the other board members want evil, he sees behind the financial pods transactions and agreements hidden agendas (P R O F A N O S) designed pods to take him out of the way and generally considers there is a concerted effort aimed at preventing it from acquiring more money and power. The story also merges the controversial leftist ideology wife owners scheming American banks and a party animal top model, which only aims to fill the screen with history when banks are not in operation. Which banks are the devil, pods I do not know if I mentioned it before.
Kostas Gavras pods insists on political subjects and maintain the interest of the mechanisms that tend to rule the world at any time, but seems to have lost its ability to deepen pods the essence of things and as a result finally shows something completely Capital sided, black and clear, that it becomes pods badly written and emmonoliptiko. Even the attempt to "break the fourth wall" raises awkward and completely made-up, managing to reduce further the effect. The Gad Elmaleh is a victim of some sloppy while overall role of each character is a moving snapshot covers the stated roles must have every political thriller series. The high level of production at least shines wrapper, but if someone sees a little pods deeper into the whole thing collapses from lack of substantive argument. Away from the banks, children.
Newsflash, PART SEVEN: "Crisis! Murder! Showtime!"
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